An example here can be 'Of Darksome Origin', 'Elegy', 'Silent', 'Twilight' or 'Velvet Dreams' similarly aggressive and extended beyond traditional patterns, and at the same time suitably hitty and without cheap melodies, but in fact the vast majority of tracklists. The talent for blending death metal sound with rock melodies and progression just exploded even more on this record than on 'The Spectral Sorrows'.

Besides, in style of EoS, everything that is death metal and far from radio friendly boredom in the foreground (and they did not achieve so much 'sand' in guitars either earlier or later!).

The deeper into its content, the more sense it sees in it and the harder it's to imagine music without so many additions that finally found its way here. 'Purgatory.' beats the previous releases in terms of variety, reaches more styles, and at first it may even seem something incoherent and composed without order. On the other side, the band actually went a little crazy here. And he probably did a lot of good to the Edge Of Sanity discography! After all, releasing so many eps in such a short time even this 1994 would be perceived as artificial exploiting money, and the records themselves could be unjustly skipped. However, Boss from Black Mark Production did not want to hear about such a solution and - contrary to the original assumptions - forced the Swanö band to release it in 'full' form. The first was to show the traditional death metal side of Edge Of Sanity ( 'Purgatory'), the second was to show their softer side ( 'Afterglow'). Well, during the recording of 'Purgatory Afterglow' the band released an ep ( 'Until Eternity Ends') with material that they thought did not fit the style of 'Purgatory.', and then, when the 'right' songs were completed, they put together that.they broke the album down into two more eps. One of the best albums from Edge Of Sanity, behind which there is a rather strange and a bit complicated story.

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